Day 29: The Movie That Was Your Biggest Disappointment

THE MATRIX RELOADED/REVOLUTIONS (2003)

Since someone else picked Indiana Jones and the Kingdom of the Crystal Skull and I really wasn't too keen on slamming Indiana Jones (even if it was horrible), thankfully I don't have to in this post. To say that I was jaded after watching Reloaded is a severe understatement. I really tried to like this movie, but even after seeing it at midnight in the theaters, and then picking it a part on DVD, I really started to dislike this movie. It really didn't live up to its predecessor.

I thought maybe they'll make up for it and Revolutions will be better. I was so hesitant that I didn't even see it in theaters. Thank goodness for that, cause it was worse than Reloaded. Way to go and ruin a brilliant concept, Wachowski Bros. Thank God that the first film wasn't tainted by it's lackluster and extremely disappointing sequels. It just goes to show you that it's really easy to screw up a trilogy (or a franchise).

My advice to filmmakers out there is: don't rush into making 2 & 3 back-to-back, cause sometimes you don't have time to scrutinize your own work to make it better. You're so caught up in capturing everything that quality can go down the toilet. Yes, some films were shot all together and were brilliant (The Lord of the Rings Trilogy) but this one was seriously lacking... everything.

Comments

Post a Comment

Popular posts from this blog

NYC in Films - My Personal Favorites

Image
New York City. The most famous metropolitan city in the United States, quite possibly the world. No, I did not take this picture, but honestly wished I had. My wife and I just recently visited the Empire State, along with taking the train into the city for the day. We walked across the Brooklyn Bridge , ate at Carnegie Deli , searched for spooks at the New York City Public Library (as well as a clean restroom and free water), watched children dance with joy on the "Big Piano" inside  FAO Schwarz , walked around Rockefeller Center (which was surprisingly smaller in person compared to how it looks on TV), visited the 9/11 Memorial , and charged my dying iPhone at the Apple Store inside Grand Central among many others. Here we are on our way to New York via Connecticut taken at the Baltimore Int'l Airport. (Confusing, I know.) Ahh... the real New York City. And yes, I took this picture. Thousands of movies have been filmed here. Below I'll list my p
Read more

Painting with Shadows and Light

Image
In the first installment of a new series I've decided to call "Painting with Shadows and Light", I'm going to share with you some of my favorite cinematographers. Commonly known as the Director's best friend, the Cinematographer -- also knows as the Director of Photography (or DP for short) -- plays one of the most crucial roles on the film crew. A cinematographer paints his celluloid landscape with shadows, light, and filters to fill the frame for the director. What he or she accomplishes "in camera" can make or break the overall look and feel of the final product that is eventually projected on a movie theater screen near you. When I first began my love affair with movies and filmmaking, one of the first names I started to recognize (outside of the big names, like Steven Spielberg) was a name associated with many of the films I grew up watching as a child throughout the 1980s. That name was Dean Cundey . Dean Cundey in  Back to the Future Par
Read more

ReBONDing: Never Say Never Again

Image
Reevaluating the Sean Connery Era (1962 - 1971, 1983) NEVER SAY NEVER AGAIN (1983) Directed by Irvin Kershner Written by Lorenzo Semple, Jr., Dick Clement (uncredited), Ian La Frenais (uncredited) Based On An Original Story by Kevin McClory, Jack Whittingham, Ian Fleming Running Time: 134 minutes Since I never provided an original verdict and score for Never Say Never Again , I'll share some backstory of how this film ever happened in the first place. In 1958, Ian Fleming approached film producer Kevin McClory to help develop and produce the first James Bond motion picture. McClory didn't feel that any of Fleming's novels were very adaptable but knew that the James Bond character would translate well onto film. McClory, with the help of screenwriter Jack Whittingham, developed the new James Bond character through several treatments and screenplays resulting in Thunderball . In the two years it took to produce the film, Eon Productions swooped in and purchased
Read more